January 25, 2012 ~ 3 Comments

Continuing the Momentum of L.A.’s Pacific Standard Time

Airplanecrashclock, 1997, mixed media and electronics, 9 ft. x 12 ft. x 5 ft.

The Getty’s ambitious and high-profile initiative, Pacific Standard Time: Art in L.A. 1945–1980, is focusing the contemporary art world’s attention on L.A.-based pioneering artists.  My hope is that this initiative also shifts the focus from sustaining a marketplace for art to supporting the life and work of artists.

A national study showed that 96% of Americans value art in their lives and in their communities; however, only 27% of Americans value artists.  The role of artists is not to just to add color and design to our lives, but also to enrich our cultural and civic lives by helping us think about critical issues in new ways and explore new solutions.

Art objects and exhibitions and the life and career of professional artists are not mutually exclusive, of course.  For Southern California to continue to be an epicenter of creativity beyond Pacific Standard Time, individual artists must continue to flourish here in significant numbers.  The Getty, not surprisingly, realized this more than two decades ago by being the initial funder of another unique program, the CCF Fellowship for Visual Artists.

In last Sunday’s edition of the Los Angeles Times, practicing L.A. artists, including several CCF Fellows, weighed in on Pacific Standard Time from the next generation’s perspective.

Thanks for reading,
Leslie Ito
Arts Program Officer, CCF

3 Responses to “Continuing the Momentum of L.A.’s Pacific Standard Time”

  1. Gregory Pierre Cox 25 January 2012 at 11:53 am Permalink

    Pacific Standard Time made access to arts, artists and the creative process available to all. It is an achievement from which we need to build upon as entities central to Southern California.

    • Leslie ito 25 January 2012 at 5:01 pm Permalink

      Gregory, I can’t agree more – we need to build on this momentum in every aspect from the support for LA artists to the collaboration that occured between the 60+ particpating arts and cultural institutions. My hope is that PST was just the beginning. While it may not be to the current scale of PST, I hope it will continue with the consistency and quality that we’ve seen thus far.

    • Charleigh 29 February 2012 at 4:28 am Permalink

      You make things so clear. Thanks for tankig the time!


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